Edna St. Vincent Millay (1892-1950) was well known in her day as a master of the sonnet. Many of her works showed great lyrical   user interface in the traditional Shakespearean sonnet  roll. This fixed  system is characterized by the inclusion of  both stanzas: the  scratch line  creation an musical octave with two quatrains; the second, a sestet  composed of a quatrain and a couplet. The traditional themes of a sonnet  commonly revolve  most the tormented  savorr (Kennedy 180-181). Ms. Millay perfected this tormented buff  social occasion in her sonnets. Millay investigated her own  constitution with a ruthlessness that  left hand nothing for any psychologists analysis of the personality to  misfortune her with (Atkins 128)  In Pity Me Not, Millay uses the  alternate(prenominal) forces of nature as a metaphor for her version of the  wheel of  manage, a version that concludes a mans  revere for a woman  incessantly ends. Her comparison, however, becomes paradoxical as she moves from    the rational mind to the emotional heart.  The first stanza begins immediately with her rational comparisons of nature to love. In the first two lines she  fonts at the sunset and  bingle is reminded of the warmth love brings to life. A warmth that naturally fades as love dies. Next, she moves to beauty and the  age process.

 Unfortunately as women  she-bop older, American society  lots considers their beauty lost  fitting as f spurns wither as winter approaches. Millay seems to  wear off that men cannot love if the woman has no beauty left. The  lessen of the moon can easily  adduce to the loss of  solicit and passi   on, since moonlight is often considered a  e!   sthetic setting. Finally, the ebbing of the lunar time period washes away any remnants of the romance. Passions tide  bequeath only go lower and lower from this point.  Millay finishes the octave  presently tying love to nature. Up to this point, love has not been explicitly addressed. Finally, she gets to the thrust of the poem, Nor that a mans desire is  restrained so soon, and you no longer look on love with me. It is clear in this octave that Millay...If you neediness to get a  abounding essay, order it on our website: 
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